tower of white tubing with 'speakers' in different colours at the ends of various pipes. The structure is in a large, high-ceilinged, white room with multiple ceiling roses and large window high on the rear wall A small child hides their face in a trumpet-like 'speaker cone' that is part of a sculpture made of white plastic piping that surrounds them

UTOOTO at Camden Arts Projects.

Henri Cartier Bresson quote on the back of my ticket stub from the excellent Robert Mapplethorpe exhibition at Le Stanze della Fotografia in Venice. On until 06/01/26.

Back of a light purple ticket stub with the words: “Taking a photograph means to put on the same line of sight the head, the eye, and the heart. —Henri Cartier Bresson” The ticket stub is lying on a fine-grained wooden surface.

“Space is the breath of art.”
—Frank Lloyd Wright

Via a great Tape Notes interview with Barry Can’t Swim on his new album Loner. I especially enjoyed hearing about how despite having two studios (home & out), he still makes the bulk of his music on the sofa with his laptop because he prioritises directness and speed of execution. Likewise, he barely uses the hardware he owns, so that he doesn’t introduce friction or lose flow by stepping away from the DAW. Other cool things: using sampled drum loops to get started quickly and then rebuilding them with your own (often foley) sounds, drops and fake drops, processing the main vocal sample to make pads, not getting locked into how you start tracks by using different elements as a base, and as alluded to by the quote above: always looking at what you can remove.

A single overhead street light strung between two buildings casts a pool of warm light on the corner of a Venetian Square at night. There is a closed shop with an awning on the left. The window is illuminated showing rows of wine bottles on shelves. There is a warm light from behind a first floor window on the building to the right of the corner too.

Venice at night, August 2025

Lake Como looking through pink overhanging flowers seen from Villa Monastero
Lake Como from Villa Monastero.

“If I had one thing to say to artists, it would be to be patient. And to be ignorant of what you think you know. If you don’t get the answer that you were expecting, maybe that’s a good thing. Knowing what you’re doing is overrated.”
—Pope L

From this interview on the (excellent) Louisiana Channel. H/t Austin Kleon

And a corollary: actively seeking situations where you don’t know what you are doing, forces you to come up with novel solutions. Even when those fail, it’s often fruitful — producing happy accidents and revealing weaknesses to work on and new avenues to explore.

Poppies growing on a brownfield site. Black shadows block out the bottom of frame and top right due to obstructions
Pink flowers between two black metal gates.
Tall ornamental flowering plants in front of a large dilapidated tower block. It's the view as you walk from Margate station towards the sea front.
Two young men waiting at a seafood cart by Margate harbour. Both men are facing away from the camera. The man on the right is wearing black trousers and a black vest and has a large yellow banana soft toy sticking out of his right back pocket.
A man and a woman sleeping on a train with their heads in their arms on the table between them
Three men sleeping with their heads on the table of a train
This image shows a weathered three-story residential apartment building with white and beige concrete panels, brown brick accents, and significant peeling paint revealing orange-brown patches underneath. The building features various window configurations, glass-enclosed balconies with personal items like plants and hanging laundry, and a patch of grass in the foreground, with an overall appearance suggesting mid-to-late 20th century social housing in need of maintenance. There is a black towel with a pattern of repeating Marilyn Monroe heads on a black background hanging over one of the balconies.

Great interview with Juergen Teller covering a huge amount of ground: collaboration, democratising his subject selection with ‘Go-Sees’, shooting his latest work with an iPhone, his Auschwitz project, what divides his personal and professional work, the origin story of working with Marc Jacobs, and his approach to portraiture and how it has changed.

Child's hand seen in the gap between oversized white balloons. The child's jumper is white with black spots
Red and white flowers on a low white wall. The background is in shadow, and the flowers are illuminated by a shard of sunlight
Young girl in a park wearing in a yellow dress reaches out to touch the green netting on some wire fencing. She is in a patch of sun and everything around her is in shade. The light is breaking through tree branches creating streaks of light on the netting. The fence is held up by yellow plastic blocks on the other side of the fence from the girl
View out a window at dusk, looking over roof tops towards the treelined horizon. There is the reflection of a woman wearing a pink scarf floating in the left centre of frame.
black and white photo of two kids cycling from right to left of frame. The kid on the left is balancing with both feet on the top tube of his bike and is hands on the handlebars. They are in a park and there is a path leading between two stands of trees and shrubs behind them.

“Be careful what you wish for, not because you’ll get it but because you’ll be turned into the thing that can get it. It’s not a process where you just ask for something and it magically appears, it’s a process that breaks you down and rebuilds you into the right tool for the job.”
—Jed McKenna talking about Francis Ford Coppola

H/t Trung Phan on Not Investment Advice | E214

portrait of extremely muscular topless man with a beard and wearing a black doo-rag, posing next to a lamppost and fir hydrant. There is a road with an NYC yellow cab and a man crossing the street behind him on the left of frame. Chip, near Columbus Circle, Manhattan. April 2025

Poems and modern memes, both, are fundamentally group cognitive technologies. Exactly half of the enjoyment, half of the use of the thing, comes in sharing the experience once you’ve had it yourself.
—Joel Dueck, from Share poems like memes

[…] no matter what your age is, shoot your world! Capture what you see that other don’t or can’t.
Blake Andrews

From his excellent interview with Sebastien Boncy