Week Notes 001 — W/E 9 Apr 2023

Why Weeknotes?

I decided to start writing weeknotes as a forcing function to help me release at least one piece of (low investment) writing weekly. The desire to write something ‘good’ for my Art + Attention newsletter means that I get stuck and have huge gaps between issues. It’s true that if I never release a new issue I will never release a crap issue, but this seems to be a suboptimal solution for someone who actually wants to release a regular newsletter. I hope that adopting a looser ‘catch and release’ approach to my ideas and posting in a space that feels less precious (i.e. I’m not bombing anyone’s inbox) will help strengthen my writing muscles and relax my perfectionism. I was inspired to write weeknotes from an old Interconnected post, A pre-history of weeknotes, that I read this week. Three of my favourite weeknotes writers are Phil Gyford, Disquiet, and Tom Stuart

Overview

I delivered my first post-baby shoot early in the week and then fell off a cliff productivity-wise. Or more accurately — I became very productive at doing everything that was at best tangentially related to The Important but Dull Thing that I had to do (sequencing and uploading images for my new site).

Choosing Simple and Done

I finally abandoned coding an Astro site to replace my current Squarespace portfolio. The final straw: an update left me unable to start my dev server with nothing but an impenetrable error to show for it. I decided to stop pretending to be a programmer and concentrate on what I’m good at: taking pictures and writing words. Better to go with a simpler no/low-code solution that I can spin up quickly and concentrate on making and releasing new work. In that spirit, I set up a 22Slides site.

In around two hours I managed to build something with 90% of the functionality of the Astro site that I’ve been faffing with on and off for months… HUGE shout out and thanks to Bryan Buchanan for the best and most responsive online support I’ve ever had. He even sorted some custom CSS to tweak the issues I was having with the stock templates.

I also decided to set up a micro.blog, so that I could get on with blogging, rather than waiting to start until I finished the new site. I like that I can use micro.blog to interact with people on Mastodon too, as the niche instances that I wanted to join weren’t taking new people. I plan to set up a ‘proper blog’ for long-form pieces in the future, at which point my micro.blog will be used for notes, single images, and interesting snippets; but for the moment I’m concentrating on writing and releasing.

It turns out that having a ~6-week-old baby is great to focus the mind and help recognise what is and isn’t a good use of my time. #productivityhack

Home

Put up some blinds that have been sitting in our hall for nearly two years. They were waiting for some much-delayed building work to be completed.

Two simple pleasures:

  1. lying in bed and watching a slice of sunlight on the wall opposite grow into a square as your blinds quietly roll themselves up into their roost.
  2. the feeling of an SDS drill zipping through concrete effortlessly, compared to your 12V cordless hammer drill grinding away in vain.

Stephen Leslie Street Photography Workshop

A slight cheat as I did this last Saturday, but it’s one of the more interesting things I’ve done recently.

I have mixed but mostly positive feelings about the day. I think I’ll write about it in a bit more detail and share pictures in another post. In short:

  • I enjoyed being out and about all day shooting and walking with five other photographers. Photography can be a lonely business, so it’s fun to hang out and shoot in a relaxed way. I love walking around London people-watching and soaking in all its chaos and strangeness. Even if you’re not shooting, just having your camera in hand makes you pay so much more attention to what is going on around you.
  • I’m not sure how much I ‘learnt’ and perhaps this might be what left me with a slightly anticlimactic feeling. I wasn’t expecting revelations and I think that Stephen’s central point is a good one — you need to ask yourself before each frame ‘Why am I taking this picture?’. I’ve been thinking about what I could have done to get more out of the workshop. I prioritised shooting and perhaps I should have spent more time walking with and talking to Stephen and the other students… But then the only way to really get better at street photography is shoot a lot of it. (Which leaves a nagging feeling that 90% of the learning experience would be replicated by going out and shooting by myself for the same length of time)
  • the other students were less experienced than me, which I found helpful. I think of my street photography skills as a weaker area, so it was nice when a couple of the other participants commented on how close to my subjects I was comfortable working. This is something that I’ve been practising since a trip to Japan in 2018 so I was pleased to hear that I was making progress.
  • I’m glad that Stephen talked me out of bringing a backup camera and other lenses. Instead, I went ultra-minimal and shot all day on the tiny but mighty Ricoh GRIII. When I photograph for clients I have to bring enough gear to cover all likely situations and some unlikely ones too. So when I shoot for myself it can be hard to escape that mindset. Even though I know from experience that the more barebones my set-up the better… Fewer decisions & less weight = more fun & better pictures.
  • the light was pretty flat all day and we didn’t see anything really wild. However, I still came away with a good selection of B-/+ pictures. Working on the edit of these images at the moment.

On Repeat

Reading

  • The Creative Act by Rick Rubin

  • The Path of Aliveness by Christian Dillo